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Tag Archives: Fantasy

The Wand that Rocks the Cradle—Author Insights from Misha Burnett

01 Wednesday May 2019

Posted by Oren Litwin in Better Fantasy, Lagrange Books, Writing

≈ 1 Comment

Tags

anthology, author interview, Fantasy, short story anthology, urban fantasy

Thanks for visiting the campaign for The Wand that Rocks the Cradle: Magical Stories of Family! Today, we’re presenting author Misha Burnett, who will introduce you to his fantasy setting, Dracoheim. Enjoy!

Forget it, Jake, it’s Dracoheim

The publication of The Wand That Rocks The Cradle will include my third story (and fourth, for those of you pledging at the Bonus Stories level!) set in the city of Dracoheim, and I’d like to take a moment to talk about the city and how it came to be.

One thing that it is easy for modern readers of fantasy classics to overlook is that while the settings seem exotic and strange to readers born in the late 20th Century, the writers of those stories chose those settings because they were mundane and prosaic to the readers of the time.

Tolkien wrote about the Shire because that’s where he grew up. The name of Bilbo’s home, Bag End, was taken from the name of his aunt’s house in Africa. L. Frank Baum put a magical scarecrow in The Wizard Of Oz because scarecrows were such ordinary objects for his readers, something that children of his era would routinely pass by on their walk home from school. C. S. Lewis put Narnia in a wardrobe because he had one in his bedroom growing up…

Read more…

Coming this Sunday: First Look at “The Wand that Rocks the Cradle”!

24 Wednesday Apr 2019

Posted by Oren Litwin in Lagrange Books, Self-Promotion

≈ 1 Comment

Tags

Family, Fantasy, Kickstarter, pre-order, short stories, short story anthology

I’m so excited, I can hardly wait—the Kickstarter for The Wand that Rocks the Cradle: Magical Stories of Family is going live this Sunday!

We’re going to have all kinds of great content over the next month: interviews with contributing authors, dramatic readings of story excerpts, and more.

If you enjoy fantasy, and you also enjoy stories exploring family, and you definitely enjoy fantasy stories exploring family… then don’t miss The Wand that Rocks the Cradle! You can pre-order starting on Sunday, and get all kinds of cool backer rewards too.

Looking forward!

Coming Soon: “The Wand that Rocks the Cradle”

14 Sunday Apr 2019

Posted by Oren Litwin in Lagrange Books, Self-Promotion

≈ 1 Comment

Tags

anthology, coming soon, Family, Fantasy, Kickstarter

Sorry for the radio silence recently! You’ll be happy to know that it’s because:

  1. I’ve been mailing out the paperback books to Kickstarter backers of The Odds Are Against Us,  and, of more general interest,
  2. We’re getting ready to launch another Kickstarter for the next anthology!

This one is the “Family” fantasy anthology which we announced back in December. I am pleased to reveal that the anthology’s title will be The Wand that Rocks the Cradle: Magical Stories of Family.

We have a great lineup of authors for you, and the stories will take your breath away. You’ll be able to pre-order your copy soon, along with all kinds of fun bonuses; so if you want to know when the Kickstarter goes live, sign up here and be sure to check “Fantasy Fiction.”

Editing this collection is so much fun! I can’t wait to get it into your hands.

Creating Story Conflicts with Politics

31 Thursday Jan 2019

Posted by Oren Litwin in Better Fantasy, Politics for Worldbuilders, Self-Promotion, Writing

≈ Leave a comment

Tags

anthology, Fantasy, short stories, short story anthology, writing

(This post is part of Politics for Worldbuilders, an occasional series.)

For a long time now, I’ve been slowly accumulating material in the “Politics for Worldbuilders” series, which will eventually become a book with the same title. I think I’ve managed to cover all the topics necessary, but now I need to revise each section and create writing exercises. In the meantime, here is a concrete example of how I used some of the concepts to write strong fiction.

Recently I edited and published Ye Olde Magick Shoppe, a collection of twelve fantasy short stories. One of the stories is mine, written under the pen name of “Jake Lithua.” It was directly inspired by my studies of politics, and in this post, I’ll be showing you how.

In the story’s world, the Eridari Empire has established colonies in a new land across the ocean, which it has modestly called New Erida. Its plantations there are worked by slaves, captured or bought from the indigenous peoples living in the hills around the colonial cities. Nevertheless, the reach of the colonial troops is limited, and they cannot simply take whatever they want. To access the richest treasures in this new land, colonists need to trade with the locals—a risky proposition, given that these are the same colonists who work the plantations with indigenous slaves!

The parallels with Africa and South America are fairly obvious. Beyond that, however, the setup borrows liberally from James C. Scott’s The Art of Not Being Governed. In particular, Scott notes that urbanized states often took slaves from stateless foraging peoples—but just as often, it was competing stateless groups who were raiding each other, and selling the losers to the city-dwellers.

Moreover, the foraging peoples often had much greater penetration into wild country than did urban powers, which meant that they could gather valuables such as spices, exotic animals, or gems and then sell them. In fact, for most of human history until the past two or three centuries, states and the surrounding stateless peoples lived in a kind of uneasy symbiosis, alternating between war (in both directions!) and trade.

What this meant for the short story was that the protagonist, a young trader venturing into the hills in search of rare magic, immediately finds himself facing justified hostility from the Men of the Hills, who have suffered greatly from the colonial power. But the Men of the Hills were also open to trade, in principle—if the terms were good enough. And the intermittent relations between the colonists and the indigenous people also sets up the main antagonist, who has secretly been doing some trading of his own.

Building the setting from specific political-historical patterns, rather than simply relying on the tired trope of the Noble Savage, helped create compelling conflict with high stakes and surprising twists. You can read the story yourself and decide if the end product was successful (and leave a review if you liked it!). But I think this illustrates how our fiction can be enriched by injecting a bit of political texture. I don’t demand realism for realism’s sake; but having more tools to work with can help us craft new, effective stories. And isn’t that the whole point?

“Ye Olde Magick Shoppe” Paperback is Out!

17 Thursday Jan 2019

Posted by Oren Litwin in Self-Promotion

≈ 2 Comments

Tags

Amazon, Fantasy, short story anthology

Well, after all the minor annoyances and oddities, the hardcopy edition of Ye Olde Magick Shoppe is now available for purchase!

Amazon has not yet linked the Kindle page to it yet, so reader reviews are not yet shared; but that should happen in a few days.

Enjoy!

Ye Olde Magick Shoppe—Free Today Only!

23 Sunday Dec 2018

Posted by Oren Litwin in Self-Promotion, Writing

≈ Leave a comment

Tags

anthology, Fantasy, free, Kindle, magic shop, promotion, publishing, sale, short stories, short story anthology, werewolves, zombies

I’m proud to announce that my anthology of fantasy short stories, Ye Olde Magick Shoppe, is now available for Amazon Kindle!

Even better, until the end of today—Sunday the 23rd—it is totally free for download. Check it out, and please review if you like what you read!

New Anthologies!

17 Monday Dec 2018

Posted by Oren Litwin in Self-Promotion, Writing

≈ Leave a comment

Tags

call for submissions, edited anthology, Fantasy, publishing, Sci-fi, short stories, short story anthology

The next month or two is shaping up to be incredibly exciting. My first anthology, The Odds Were Against Us, is due to be published by Liberty Island Media; and my second, Ye Olde Magick Shoppe, is fully edited and is going to be self-published as soon as we get everything else whipped into shape. Which means that I’ll be spamming this blog with lots of crass self-promotion before too long…

In all seriousness, the last couple of years have been a tremendous learning process. It’s humbling when other people trust you with their writing, and thrilling when an edit can take an already solid piece and add that extra sparkle. I’m also grateful for good software, particularly Scrivener, which is making the whole publishing process much less painful than it used to be back in the bad old days.

In the meantime, what comes next? MOAR anthologies!

I’m opening up calls for submissions to two themed anthologies, one fantasy, one science fiction. The science-fiction one has the theme of “Asteroids”; and the fantasy one has the name of “Family”. Neither of these is a final title; I wanted people to get the chance to start writing quickly, before I took the time to come up with something clever.

Check out the full descriptions, and if either of the themes grabs you, the deadlines are March 1st of next year.

Good luck!

Ye Olde Magick Shoppe is Live on Kickstarter!

04 Friday May 2018

Posted by Oren Litwin in Self-Actualization, Writing

≈ Leave a comment

Tags

call for submissions, crowdfunding, Fantasy, Kickstarter, magic, magic shop, short stories, short story anthology

You may have noticed that I’m accepting submissions for a new fantasy anthology, Ye Olde Magick Shoppe. Well, I’m pleased to announce that the associated Kickstarter project is now live!

The more backing we receive, the more short stories I can accept and the more that authors will be paid. So if you like reading fantasy stories about when magic is for sale, definitely check us out; and if you like writing such stories, do check out the submission rules and submit your work before the deadline.

Onward!

Class Conflict, Part One

09 Monday Apr 2018

Posted by Oren Litwin in Better Fantasy, Politics, Politics for Worldbuilders, State Formation, Writing

≈ 2 Comments

Tags

class conflict, Fantasy, worldbuilding, writing

(This post is part of Politics for Worldbuilders, an occasional series.)

Imagine a small nomadic band of hunter-gatherers, living a carefree existence in the wild hill country—let’s call them the Pandu. They own little property aside from the weapons and tools they carry and the clothing they wear. Let’s even suppose that they practice free love, and that children are raised communally. Finally, imagine that everyone performs the same jobs: hunting, foraging, making clothing and tools, raising children, and making decorative jewelry that looks pretty (we can call these “prestige goods”).

One might think that the Pandu ought to be the perfect egalitarian society, without conflict over possessions or political power. And actual foraging societies do tend to be nearly egalitarian (for reasons discussed in Michael Taylor’s Community, Anarchy, Liberty, among other authors). Still, they are not perfectly egalitarian, even if there are no hard class divisions. Let’s see why.

Let’s say that some Pandu are somewhat better at hunting or foraging than others. Such “Good Hunters” manage to gather enough food in a shorter time, so they can spend more time creating prestige goods—or else they can gather extra food and trade it with others for their prestige goods. Over time, they will have more jewelry than less skilled hunters. At this point, jewelry starts to be not just pretty shiny things, but a sign of hunting skill.

Good Hunters will start to attract more intimate partners because of their greater prestige, or simply with gifts of food or jewelry; lesser hunters will lose out, in relative terms. If the story ends here, we would have a single-class society shot through with simmering tensions and periodic fits of jealousy-driven violence.

Now imagine that successful hunters had the right to eat their prey’s hearts, which grant magical powers and even greater hunting skill. Suddenly, we have a “rich-get-richer” scenario: Good Hunters would soon outstrip their less-skilled rivals, becoming a class in themselves that eventually possesses far more food, prestige, and social attractiveness than the “lower” class. The lower class could still feed itself, but would lack prestige and social standing, and likely intimate partners as a result—and would have no way to catch up, at least not through hunting skill.

Still, both of these classes would have broadly similar interests: they hunt the same game, gather the same foods, value the same goods. So long as interclass jealousy is kept under control, perhaps by social rituals that periodically erase class distinctions, the Pandu band will remain unified.

But suppose that the less successful hunters, recognizing that they cannot compete at hunting, decide to begin farming instead so that they can win prestige and intimate partners of their own. Suppose they are successful, and produce as much food on average as the Hunters do, achieving a broadly comparable social status. How does this change the picture?

For one thing, while the Hunters would continue their nomadic lifestyle, following the game as the seasons shift, Farmers suddenly are tied to a fixed plot of land. Even if they can travel during fallow seasons or even between the planting and harvest time, they would have to return to their plots of land to harvest their crop. Even if they plant multiple crops in multiple locations and circulate between them, they are now less mobile than before.

What’s more, Farmers have to feed themselves somehow while their crop is growing. They might borrow food from fellow Pandu, promising to repay them at the harvest. Likely, they would borrow from the Hunters. But perhaps the Hunters would take advantage of the new situation to demand back more food than they lent.

Suddenly, Hunters and Farmers have opposing interests. Hunters want to be mobile; Farmers less so. Hunters want their rights as lenders upheld, and perhaps to gain additional privileges in the process; Farmers would want to defend themselves against such privileges, or even to deprive Hunters of their repayment.

So what policy will the Pandu band follow? It will depend on the relative strength of each class, the ideological beliefs of the Pandu, and the skill of the band’s mediators or leaders. At all times, clashing interests will pull the band in different directions, and perhaps pull it apart entirely.

Class can go beyond simplistic notions of upper, middle, lower—it can also be derived from different and conflicting interests. And conflict, needless to say, is at the heart of good stories. You can generate powerful conflicts by depicting societies with opposing class interests, and those conflicts will be all the more compelling if your social classes are more than caricatures.

****

(And don’t forget, I’m accepting submissions to a fantasy anthology, Ye Olde Magick Shoppe. Check out the announcement and start writing!)

So, About That How-To Book on Politics…

06 Tuesday Mar 2018

Posted by Oren Litwin in Better Fantasy, Politics, Writing

≈ Leave a comment

Tags

Fantasy, fiction, politics, worldbuilding, writing

[UPDATE: The first volume is published! Check it out.]

Some years ago, I blogged about my plan to write a book about politics for writers, filling a gap in the existing materials on worldbuilding. Most writing teachers focus on details such as the structure of the nobility, or the form of government, or other political features that are actually secondary to the fundamental questions of power, rule, and conflict. I hoped that, using my scholarly background in political science, I could create a guide that succinctly gave authors a powerful tool to generate stories from political conflict.

So what happened?

In short, I’m very badly stuck on how to structure the book.

Basically, there are a series of key concepts that underpin politics: geography, technology (especially weapons technology), the related issue of legibility (how easily a ruler can monitor and tax the peasants), power projection, legitimacy and ideology, and the social order (how wealth and power coexist with each other), to name just a few. Starting with those, you can very quickly drill down to the fundamental type of story you want to tell, and design your world to facilitate that. The problem is that all of these concepts tend to interpenetrate, in a big gnarly ball of connections shooting every which way.

So in trying to essentially give a crash course on graduate-level PoliSci, where does one start?

And if someone wants a checklist for use in worldbuilding, what order would you follow?

I honestly don’t know. But if I keep dithering, the book will never get written, and all you aspiring worldbuilders will be left adrift in a sea of bad fantasy-kingdom pastiches. (Horrors!) My current plan, therefore, is to write blog posts about the various fundamental concepts piecemeal, without worrying overmuch about their order or relationship to each other. I will be collecting these posts, and past posts on related topics, in a new page called Politics for Worldbuilders, which you can see in the top of the blog.

Enjoy!

(And don’t forget, I’m accepting submissions to a fantasy anthology, Ye Olde Magick Shoppe. Check out the announcement and start writing!)

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