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“Governments for Worldbuilders” is Here!

18 Thursday Jun 2020

Posted by Oren Litwin in Uncategorized

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I know I just said that my publishing-focused stuff is shifting to the Lagrange Books site. But for my own book, I’ll make an exception—especially when it’s a book that is at the heart of what this blog is about.

At long last, the book that’s been percolating for over seven years is done! Readers of this blog have followed along as we discussed how authors can use concepts from politics in their work. And now, Book One of the Politics for Worldbuilders series is complete and available for purchase! Check it out!

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A Quick Thought on Microaggressions

14 Sunday Jun 2020

Posted by Oren Litwin in Uncategorized

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[A meta-comment first: I’m going to be transitioning a lot of the Lagrange Books stuff over to LB’s dedicated page, and refocusing this site on my own personal work and thoughts. It’s been a while since I’ve felt free to write my own stuff just because!]

I’d always been leery of the term “microaggression.” Not because I think the meaning of the term was silly; I’ve experienced it often enough in my own life to know otherwise. But the term itself, semantically, seemed to argue for too much. “Aggression” involves deliberate harm, whereas microaggressions are often unintentional, and sometimes even unnoticed by the recipient until much later in the day. Worse, “aggression” is something that justifies a violent response (something I’ve spent much of my scholarly life studying). Does a microaggression justify a micro-violent response? What does that even mean?

And what does “microaggression” add to perfectly good existing concepts like thoughtlessness, rudeness, misspeaking, or the like?

Recently, however, I had a personal experience that gave me more insight into what “microaggression” could mean, and what it could justify. Typically when I experience one of these, I tend to shrug it off; the speaker is not meaning to offend, and getting into a whole discussion would derail the conversation. However, the most recent event was actually in the middle of a professional class on microaggressions! I thought the context justified correcting the misspeaking.

The experience of doing so was illuminating. Speaking up felt like it violated strong social norms against putting people on the spot and creating conflict where no apparent conflict existed. And yet I felt I was justified in speaking up. This, it seemed to me, helped explain what calling something a “microaggression” accomplishes.

Putting it into just-war terms, correcting a microaggression is a justified response to the microaggression, even though it tends to overstep our usual social boundaries—but as with war, a proper response needs to be proportional. The offense was unintentional and almost harmless; the mere fact of a microaggression did not permit me to be actually rude in my response, or hurtful, or to do harm. The response had to be tactful, to acknowledge the lack of malice in the microaggression.

I still do not like the term “microaggression” because of the semantics around its use. In particular, I find abhorrent the way in which a motivated few have used the act of pointing out  microaggressions as a social weapon, calling for shame and ostracism of the offender. But I can at least justify the term, and use it carefully until I find a better one.

In a nutshell, receiving a microaggression entitles you to respond with a single “well ackshually“!

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New Sci-Fi Anthology Coming Soon… — Lagrange Books

14 Sunday Jun 2020

Posted by Oren Litwin in Uncategorized

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Long ago, Lagrange did a call for submissions for science-fiction short stories, with a theme of “asteroids.” Some fantastic authors responded with stories that were fun, provocative, insightful, or gloriously cheesy. An accumulation of other projects pushed this one to the back burner for a while, but the time has finally come for these stories […]

via New Sci-Fi Anthology Coming Soon… — Lagrange Books

The Wand that Rocks the Cradle: a Fantasy Anthology Coming in September!

16 Friday Aug 2019

Posted by Oren Litwin in Uncategorized

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I’ve been sadly quiet since May, mostly because I’ve been trying to juggle several different projects. First off, the long-running “Politics for Worldbuilders” project is finally being compiled into a book series; the first volume is nearing completion. Second, Lagrange Books is getting ready to publish our first single-author book, by fantastic author Misha Burnett. More news on that soon…

But it’s the third project, which was actually the first project, that I want to tell you about.

Back in May, I was spamming everyone with the Kickstarter project for The Wand that Rocks the Cradle, our fantasy anthology on magical families. Since we met our funding goal, I’ve been working hard to finish the editing, coordinate with our cover designer (the talented Melody Knighton), and produce the actual book. And now, behold:

We are now taking pre-orders on Amazon for the Kindle edition, with a special pre-release price of $2.99; once we launch in September the price will go up to $3.99.

(But there’s another way you can read it for free… If you sign up for the Lagrange Books mailing list, you can join the Advance Reader Team—you’ll get access to prerelease copies of Lagrange publications, in exchange for leaving totally honest reviews on Amazon, Goodreads, or other online sites. This is a totally optional, but totally fun, way to be involved.)

We’re all incredibly excited for this release. And once you start reading, you will be too!

 

Emotional Whiplash

22 Wednesday May 2019

Posted by Oren Litwin in Uncategorized

≈ 2 Comments

Here’s a brief sketch of my internal monologue during the Kickstarter project for The Wand that Rocks the Cradle, now about five days before the deadline:

Day 1: Oh my God we just got over 25% in one day that’s amazing!!

Day 3: Oh my God we just crossed 50%! Holy cow holy cow holy cow! We’re going to get so many backers and then we can do an audiobook and interior illustrations and all the authors get paid more than pennies and it’s going to be amazing!!

Day 7: Okay, slowing down a bit, but we still hit 70%, not too bad, not too bad!

Day 13: Okay, we’re stalled at 75%… do we need more PR? Maybe offer a cool new backer reward? Something?

Day 16: Awright, back in business! Not exactly rolling in dough, but good solid progress. Up to 88%, going great. We’ll get there.

Day 22: Um, hello? Anyone there?

Day 23: Okay, this cannot be the end! Time for some shameless begging…

Day 24: Okay, shameless begging got us a few bucks, up to 92%. Maybe update the graphic? Maybe I was spamming people too often with updates? Maybe the updates weren’t interesting enough? We’ve got a bunch of followers who haven’t contributed yet, maybe some of them will chip in right at the end?

Day 25: Seriously? Less than $40 left? Aargh! That’s like a cup of coffee a day or something! How can it be this hard?? Come on, Kickstarter, do your thing!

****

In the meanwhile, I’ve been scoping out a huge number of cover artists in different places online. We have options. The frustrating thing is that it’s hard to get a sense of what will attract our audience in particular; the emotional tone of this anthology is very different from my usual. I’d call it “wistful,” “poignant,” “tender” at times, with a few darker and lighter bits thrown in for spice. But the design aesthetic for a lot of cover artists these days seems to be “glowy action chick with a low-cut dress and werewolves,” which might not be where we want to go. Except, what if it sells anyway?

The marketplace is a fickle temptress, yea verily!

Does Nobody Watch The Classics Anymore?

13 Monday May 2019

Posted by Oren Litwin in Uncategorized

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rothchild

We interrupt our regularly-scheduled shameless self-promotion…

Setting aside the propriety of casting Mel Gibson in a movie called “Rothchild,” which seems to be all anyone is discussing about it, why is it that not a single article I’ve read so far notices that it’s almost certainly a remake of an old classic?

Here’s the plot summary from The Hollywood Reporter:

The black comedy will center on Becket Rothchild (Shia LaBeouf) — the bastard child of a mother, who in eloping with a jazz musician was cast out from the Rothchild family and its vast fortune — who was never given a fair lot in life. All grown up and armed with charisma, intelligence and a flair for opportunity, it does not take long for Becket to fully grasp the immense gap between his situation and the richest 1 percent, which should be his birthright. He has a plan.

There are precisely nine Rothchild family members who stand between him and his fortune, including Whitelaw (Gibson), his sinister grandfather. How hard could it be for them each to meet with an “accident”? With the unique advantage of being unknown to any of them, Becket penetrates the weird and twisted lives of his super-rich kin amongst frat boys, hipster artists and reality TV stars. The only thing that threatens to get in the way is love, both old and new.

Did you recognize it? Here’s a hint: Alec Guinness.

Not yet? How about: Alec Guinness, Alec Guinness, Alec Guinness, Alec Guinness, Alec Guinness, Alec Guinness, Alec Guinness, Alec Guinness, and Alec Guinness.

The movie I’m referring to is Kind Hearts and Coronets, from 1949. In many respects its plot matches the above outline precisely, making allowances for an updated setting. The biggest clue is that there are precisely nine family members to bump off, as in the 1949 film. (Apparently the film was loosely adapted into a Broadway show in 2013, A Gentleman’s Guide to Love and Murder. None of the discussions of “Rothchild” mention that one either.)

Interestingly, in one sense “Rothchild” might be more faithful to Kind Hearts’s original source material—a 1907 novel titled Israel Rank: the Autobiography of a Criminal, in which the titular criminal is half-Jewish and generally enacts the usual anti-Semitic stereotypes of Jews.

I doubt I’ll see “Rothchild,” mostly because I don’t trust Hollywood to satirize “the 1%” without plunging into boring ham-handed preachy sanctimony. But it’s alarming that the classic movie it seems to have been ripped off of has apparently sunk without a trace, forgotten by the very reporters who claim to know movies.

(I suppose this is one more example of how institutional memory is being destroyed across industries by young know-it-alls who imagine that no one older than they knows anything worth learning. One of the most frightening things about Washington DC is that much of the government is run by twenty-something staffers who are ignorant and easily manipulated by outside interests.)

On the bright side, those of us who appreciate the classics have an opportunity to sell old wine in new bottles. What other classic movies or books are out there, waiting for a facelift in the hands of a determined modern novelist?

Who Rules? Part Two—The Nobility

17 Sunday Jun 2018

Posted by Oren Litwin in Better Fantasy, Politics, Politics for Worldbuilders, State Formation, Uncategorized, Writing

≈ 2 Comments

Tags

government, worldbuilding, writing

(This post is part of Politics for Worldbuilders, an occasional series.)

Some time ago, we mentioned the four potential ruling groups laid out by Samuel Finer, and discussed the first “polity” (or regime type), the Palace Polity. Now, let us discuss the second “pure” polity—the Nobility—as well as our first hybrid polity, the Palace/Nobility.

What makes the Nobility unique is not that they are powerful or influential. In any polity there will be influential figures, even in the Palace. But for a group of powerful people to be considered a Nobility in the sense Finer means, they must first have autonomy from the central government, and from each other. Aristocrats attached to the Palace, and deriving their power from it, may be noble in the class system of their society; but Finer would not consider them “Nobility,” merely courtiers (typically the rivals of the autonomous Nobility). Nobility are able to resist the central government, because they control their own power resources—land most frequently, but also the people on that land.

(One might consider a vast fortune to count as a power resource as well, though historical nobles usually had land as the source of their power; but money by itself does not yield power if the rich are vulnerable to state coercion. Furthermore, a state with enough money to make large fortunes possible is unlikely to have autonomous nobles; the central government is usually strong enough to force some sort of dependent relationship, often in the form of a corporatist system. Bill Gates cannot simply decide to stop paying his taxes. It was the historical lack of coin, and thus the need to pay retainers in land grants, that typically led to the emergence of nobility in the first place. Still, one can imagine other potential sources of autonomous power.)

Second, a Noble is distinguished by his absolute control over those in his domain. No higher authority, no central government, may interfere with a Noble’s lands or vassals. Not even other Nobles, which is helps to explain why nobles were constantly occupied with feuds and intrigues against each other. On the other hand, Nobility could often arrange themselves hierarchically or even fractally, so that many petty lords could be vassals of a more powerful lord, who in turn would be one of the several vassals of an even more powerful lord, all the way until you reach a handful of great nobles who dominate their politics. Finer gives the example of Bakufu-era Japan, with its samurai class aligned under the daimyos, in ever-shifting coalitions and factions.

A pure Nobility polity is extremely rare and not very stable. To qualify, it would have to lack a strong central government entirely. But the nobles would still have to be bound together in some form, or else it would not be a single polity but a patchwork of smaller principalities. The only example that Finer locates is that of 16th-17th century Poland, where the great nobles sat in a council together, under the nominal rulership of a king who nevertheless was nearly always controlled by the noble council. Such polities would tend to either coalesce into a stronger central regime over time, or else fragment entirely.

More commonly, strong nobles coexisted uneasily with a central Palace regime, leading to the Palace/Nobility polity (naturally). This was the situation during the Feudal era of Europe, in which a nascent centralized government had to deal with lesser nobles who could stand apart from the Crown, and on occasion present a real threat to its power.

If the independent nobility is relatively weak and more easily controlled by the Palace, then while Nobles have their ancient privileges, those privileges might be closely circumscribed. Palace administrative structures may be imperfect, so local control depends on the cooperation of the nobles, but the nobles themselves would have small armed forces if any; they pose little threat to the Palace in the long run. And unless there is a dramatic change in the balance of power, the Nobles’ position will erode over time. Perhaps the independent nobles are being challenged by other “court nobles,” whose prestige depends on the largesse of the Palace alone.

If the central monarch faces a powerful set of nobles with strong militaries of their own, he or she must scramble to keep on top of them via careful alliances and shrewd politicking or risk losing power, or being made nearly irrelevant. Think of the early French kings, or of King John of England (who was forced to sign the Magna Carta by an alliance of barons). The king remains powerful in his own right; otherwise, if the king were a mere figurehead or first among equals, we would be left with a pure Nobility polity as in the case of Poland. But the nobles are strong enough collectively to restrain the king’s power or even to bring him down, if they ever manage to put aside their own rivalries and oppose him as one.

This circumstance can have several long-term outcomes. In the case of England, the rights that the nobility extracted from the king (the Magna Carta) laid the groundwork for the later English experiment in broad political rights, the forerunner of the more explicit American political rights that created the modern liberal-democratic society. That did not happen in France, where the nobles focused not on rights but on privileges—chiefly, the privilege of taxing the populace. As a result, even when the French monarchy grew in strength, it still had to depend on tax-farming for revenue; the resulting abuses of the people were a key factor leading to the French Revolution.

For a weak ruler to strengthen his position is a long, perhaps generational, project. It took the Capetian kings of France hundreds of years to slowly, patiently, methodically chip away at the power of the nobility, and they were never assured of ultimate success. The same could be said of the English kings, who suffered periodic overthrow and wars of succession. A strong nobility can defend its own position quite effectively; still, the king has the advantages of a central political position and the ability to divide and conquer, given the opportunity.

A final possibility is that a weak Palace can strengthen to the point that the polity becomes evenly balanced. Or, a previously powerful Palace can have its position diminished so that the nobles reach parity. In either event, such a Palace/Nobility polity features an unstable, delicate balance between each side, so that the future trajectory of the system could go in either direction.

For authors, opportunities for conflict abound. Independent nobles can scheme against each other or even make open war, the king can intrigue with one faction against another, or they could intrigue against the king or rebel; country aristocracy could come into conflict with dependent courtiers, each side resenting the privileges of the other. Feuds between nobles and a weakened king could risk fracturing the polity altogether, leaving it open to outside invasion; or the threat of such invasion could be exploited by the Palace to augment its own power and force the nobles in line. If court politics is your thing, then the possibilities should make you downright giddy!

Who Rules? Part One—The Palace

14 Monday May 2018

Posted by Oren Litwin in Politics, Politics for Worldbuilders, State Formation, Uncategorized, Writing

≈ 4 Comments

Tags

Dictatorship, politics, Samuel Finer, worldbuilding, writing

(This post is part of Politics for Worldbuilders, an occasional series.)

Up to now, we have spent a lot of time discussing the constraints that any political regime has to deal with—the problem of legitimacy, taxation and legibility, power projection, and so forth. There are still more areas to discuss, such as the strategic problem of having a standing army (which can pose a threat to its own political leadership, and often does); but for now, let’s switch gears and discuss the differences between regimes, starting with a fundamental question: which elites rule?

Rather than exhaustively catalogue the relatively minor differences between presidential democracies and parliamentary democracies, or sultanist dictatorships and technocratic dictatorships, here we will follow the work of the eminent political scientist Samuel Finer. In his model, there are four possible groups of political elites who could claim the right to rule a regime (or polity, as he terms it): the Palace, the Nobility, the Church, and the Forum. Pure types exist, or you can have hybrids such as Palace/Nobility or Palace/Church; but per Finer, these four contenders for power are it. (This is convenient for worldbuilders, because we can figure out the broad type of our regime without being excessively constrained in the details that we love to invent and tinker with.)

Before examining each, we have to ask: what about the military, or the bureaucracy? Both of these group can hold tremendous power in a regime, and indeed become the de facto rulers. Yet to Finer, neither of these groups is capable of ruling legitimately, because the justification for their power derives from one of the four groups: a military junta may claim to rule on behalf of the people, or a labyrinthine bureaucracy can claim to represent the Emperor. The military and bureaucracy in themselves lack a legitimating ideology, which is what the four main elite groups sometimes possess. Additionally, as Peter Feaver notes, if a general overthrows the dictator, he ceases to be a mere general because he is now responsible for the entire regime, not just the interests of the military, and the problem of civil-military relations begins anew (even if his fellow officers may trust him more, initially). In effect, he himself becomes a Palace autarch.

(I wonder, however, if we are not in our lifetime seeing the rise of an ideology justifying the rule of expert bureaucrats, on the grounds that the people are too stupid to rule. At the moment, though, this ideology has little purchase in the broad society—which is why the rulers of the European Union, for example, pay lip service to democratic ideals even as they cheerfully ignore the will of the people as a matter of course.)

With that, let us begin by looking at our first pure type, the Palace polity:

In the Palace there is only a single controlling will—that of the ruler, the center of the Palace, the nexus from which all decisions flow. The ruler could be called king, emperor, dictator, president, or any number of possible titles. He may preside over a nobility or other sorts of important people, but what distinguishes the pure Palace polity from the Nobility polity (to be discussed soon) is that nobles are totally dependent on the ruler—they do not have autonomous power, and their privileges depend entirely on carrying out his will. Within the state, the ruler has ultimate, arbitrary power, without procedural constraints of the sort we expect in a liberal democracy. The power of all others depends entirely on their proximity to, privileges from, and influence over the ruler.

In the Palace polity, Finer notes, legitimacy always derives from some form of charisma or tradition. Charisma could be “routinized” and shade into tradition, as when the hereditary ruler claims to be a god or otherwise supernatural. Rulers could also claim the divine right of kings, or the Mandate of Heaven, or some other transcendent blessing justifying his rule. But whatever the exact form of legitimacy, the ruler is ultimately responsible only to the power or beliefs grounding his rule: the gods, or God, or the harmony of the universe. This might require that the ruler spend much of his time in rituals and ceremonies befitting his cosmic role, especially if he is seen as the intermediary between Earth and Heaven. (The Chinese emperors were so perceived, for example, as were many rulers of the Ancient Near East.)

But the ruler is not required to justify himself to anyone else—especially not the people. Finer states that all of the types of legitimacy claimed by a [pure] Palace polity are, “without exception, authoritarian. There is no question of popular sovereignty. The monarch’s authority descends on him from a Higher Power and sets him above the people.” This is definitionally true; if the ruler does claim to represent the people, or actually is elected by them, he would no longer rule a pure Palace polity. Instead, this would be a Palace/Forum polity, a tremendously important type which we will discuss later.

Again, within the broad category of “Palace” the details of two different regimes could vary considerably; the Han Empire’s regime is quite different from ancient Persia, for example. But as you craft your setting, Finer’s typology can keep you grounded in the essential features of your regime.

******

(And don’t forget, I’m accepting submissions to a fantasy anthology, Ye Olde Magick Shoppe. Check out the announcement and start writing!

Plus, the associated Kickstarter project is now live! We’ve got a fancy video and everything…)

Wealth, Power, and Social Orders

26 Thursday Apr 2018

Posted by Oren Litwin in Economics, History, Politics, Politics for Worldbuilders, State Formation, Uncategorized, Writing

≈ 1 Comment

Tags

fiction, government, social orders, State Formation, worldbuilding, writing

(This post is part of Politics for Worldbuilders, an occasional series.)

Suppose there were two people on a desert island. One owns a crate of food; the other owns a gun. What is going to happen?

Very shortly, the person with the gun is going to also “own” the food; the other person might be dead, or might be reduced to the level of a slave. (In the immortal words of Clint Eastwood, “There are two kinds of people in this world…”)

This illustrates the fundamental problem of property’s relationship to power: if an actor has a lot of power but little wealth, it will often try to gain more wealth through violence. If an actor has much wealth but little power, it will often try to use its wealth to gain power—if only for self-defense! And this dynamic has played out throughout history, leading to endless cycles of bloodshed and misery.

To survive, as North, Wallis, and Weingast (NWW) argue, groups of people need to come up with some solution to this danger—a way to align the interests of those who have wealth and those who have power. This is called a social order.

NWW identify three kinds of social orders: the foraging social order, the limited-access or “natural” social order, and the open-access social order. Foraging bands deal with the problem of wealth and power very simply: group members have roughly equal wealth, physical strength, and social status. There is relatively little incentive to take more with violence, as the other group members will unite to destroy you.

As we will discuss fully at another time, egalitarian bands use several techniques to enforce social equality: malicious gossip, mandatory gift-giving, and the threat of splitting the group if one faction becomes too powerful, to mention a few. However, these methods do not guarantee success; it often happens that a respected chief is able to accumulate enough personal loyalty, wealth, and prestige that he can gain lasting control over the group, which is passed on to his descendants.

That brings us to the limited-access order, which has been the predominant mode of social organization throughout the history of states. In a nutshell, those with power are also given control over wealth as a consequence, in a tacit agreement between elites in order to minimize conflict between them. In the words of NWW, “By manipulating privilege, interests are created that limit violence.” The most obvious example was European feudalism, in which brigands with large armies “went legit” and set themselves up as landed aristocrats, along with supporting networks of bureaucrats and clergy to help them run things. As NWW put it, “In all natural states, economics is politics by other means: economic and political systems are closely enmeshed, along with religious, military, and educational systems.” One could also look at Soviet-style communism, in which wealth flowed to the regime leaders by virtue of their control over the military and police apparatus.

A key aspect of the natural order was that impersonal law and procedural equality did not exist. The regime was not a neutral arbiter of people’s social and commercial disputes; it existed to defend the privileges of the ruling coalition as a class, and thus your treatment by the regime depended on your personal relationship with the ruler or other elites. As NWW put it, “Personal relationships, who one is and who one knows, form the basis for social organization and constitute the arena for individual interaction, particularly personal relationships among powerful individuals.” This limited the ability for people to form complex organizations, in business or society more generally: if they could not settle disputes internally, the state would not do the job for them and the organization would collapse.

Partly, this was by design. Elites protected the value of their “rents” by deliberately restricting the ability of those outside the regime to organize groups of people. It may seem strange to us, in our society of mass organizations, but in the feudal era it was tantamount to treason to organize an independent guild of craftsman outside of the regime-sanctioned guild, or to have a town of people who swore loyalty oaths to each other. That was why English entrepreneurs needed to petition the Crown for the right to form a joint-stock corporation, for example. And in Communist or Fascist regimes, even such mundane organizations as chess clubs needed to be approved by the regime. In this way, a limited-access regime is able to retain control over economic activity and take its cut, and to prevent possible competitors from arising via new organized groups in the populace.

Again, the natural order is the most prevalent throughout history. It is almost inevitable for those with power to demand wealth, for those with wealth to seek access to power, for the two classes of people to become incestuously intertwined and then to use their power to suppress competition. Think of the relationships in many Latin American countries between oligarchs and generals. Think of the paramount business associations and unions found in much of Western Europe, organized and maintained by the state, which have the effect of protecting incumbents and squelching entrepreneurialism.

The biggest problem with the natural order, however, is that it is fundamentally unstable. If someone becomes too powerful or too wealthy too quickly, suddenly there is a mismatch between what he has and what he (or others) might want. This generally leads to a breakdown of the delicate balance of power in the regime, culminating in violence or even civil war. This is why, argue NWW, autocratic regimes tend to underperform democracies in economic growth over time: because their relatively better performance during good times is outweighed by frequent destructive episodes of civil war and social breakdown.

(This is a crucial reason why dictators need to gain control over their countries’ wealth: not merely out of greed, but to protect themselves from rich competitors. Regime outsiders who strike it rich represent a deadly threat to the regime.)

The third form of social order, the open-access order, is a historical anomaly: it first emerged only a few centuries ago in Britain, as elites gradually transformed their particular privileges into general rights (through a long and subtle process that NWW discuss in detail). This does not merely mean democracy, though Britain and the United States are the chief examples. In the open-access order, elites have no special privileges in law, and military power is removed from partisan politics or the extortion of wealth, becoming a neutral enforcer of the political system; it stays neutral because no single political or business leader has the opportunity to bring it under his or her control.

What distinguishes the open-access order, and what makes it work, is that anyone is allowed to enter politics or business, and to organize companies or political parties or activist groups without the permission of the regime. And you need both parts: political freedom is protected by economic dynamism, as new companies challenge the old leaders and displace them before they get too cozy with the government. Economic freedom is protected by electoral competition and turnover in political leadership, which makes policies that benefit the mass populace relatively more attractive to ambitious politicians compared to policies that benefit a handful of powerful companies. (See the post on selectorate theory.) NWW call this the “double balance.”

It should be noted, however, that for all its achievements the open-access order is profoundly fragile and in danger of backsliding into a natural regime. This can happen in either of two ways (or both simultaneously). First is for the government to become too powerful relative to the economy, in which case it can throttle free competition. Second is for individual businesses to become too wealthy and influential compared to their competitors or the government, which leads businesses and governments to build corrupt relationships with each other, with businesses gaining special privileges and returning the favor by keeping favored politicians in power. To a degree, such backsliding is always present (the military-industrial complex comes to mind, as does the growing political power of Google, Amazon, and Facebook). And the natural tendency is for such collusion to accumulate like layers of sediment over time.

As Mancur Olson warns in his The Rise and Decline of Nations, it is always easier to organize a small group of powerful actors to lobby government for some subsidy, than it is for the mass of the citizens to organize against them. This is because the average person is barely affected by the average subsidy and won’t bother to get involved, whereas the beneficiaries have a great deal to gain. Over time, this tendency results in a steady calcification of the economy and the government, as interest groups accumulate to feast on the populace’s wealth through direct or indirect means. The only way to prevent such decline, Olson suggests mordantly, is for an invading army to sweep away the existing corrupt relationships.

Fortunately, this invasion can be metaphorical. David P. Goldman (AKA “Spengler”) argues that American corruption declined in the 1980s, as the new tech industry displaced the existing corporate titans despite their close relations with government. The same can happen in the political sphere, if a determined political faction dismantles corrupt bargains and is rewarded electorally for it. That is the strength of the open-access system.

But it remains fragile. In the United States, we ought to be alarmed by the unprecedented decline in new business formation in the past decade, and the manner in today’s tech oligarchy is actively stifling competition—even as they exert themselves in the political sphere.

As authors, how can we use these concepts? Here are some points of conflict: growing power brings the temptation to take the wealth of others. Growing wealth attracts violent vultures, or inspires the wealthy to gain power as well. Sudden shifts in power and wealth will threaten to destabilize the balance of power in a society, with war as a likely result. (A brief glance at the history of the Congo will provide many depressing examples.) These tendencies are rich ore for story conflict, and the thoughtful author can build powerful plots from them.

****

(And don’t forget, I’m accepting submissions to a fantasy anthology, Ye Olde Magick Shoppe. Check out the announcement and start writing!)

Legibility and Power

22 Sunday Apr 2018

Posted by Oren Litwin in Politics, Politics for Worldbuilders, State Formation, Uncategorized, Writing

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(This post is part of Politics for Worldbuilders, an occasional series.)

Suppose you wake up one day to find that you are the new king of your very own state. After a moment of shock, you start to think about all the cool things you can do now—the laws you can pass, the taxes you can collect, the armies you can raise. But then you realize that even if you pass a law, you don’t know if people will follow it; even if you impose taxes, you don’t know if people will pay them; even if you raise an army, you don’t know whether it will remain loyal. In short, sitting in your palace at the center of your new domain, your first problem—maybe your most severe problem—is being able to perceive what people are doing.

There are several strategies you could use in response. You could appoint trusted subordinates to carry out your will and enforce your laws (see my post on English aristocrats), if you have such trusted subordinates! You could impose head taxes or customs duties at the city gates or other travel bottlenecks, so people passing through will be unable to avoid them. But each of these approaches has limits. A more ambitious strategy, used by practically all states throughout history, is to deliberately increase the populace’s legibility: the degree to which its activity can be monitored.

The classic discussion of legibility is by James C. Scott, across several of his books—most directly, Seeing Like a State and The Art of Not Being Governed. In a nutshell, states force changes in their subjects’ behavior in order to more easily monitor and control them. One example is having people carry an identity card; in our modern society, this is convenient for businesses as well as governments, but back in the days when most people lived in the same village all their lives, and knew each other intimately, the only purpose of identity papers was for the traveling government official to know whether you had paid your taxes this year.

More drastic examples include German “scientific forestry,” in which a complex forest ecosystem was demolished and replaced with a monocrop of elm trees, grown in carefully measured rows and columns, so that the lumber yield from the forest would be predictable (in theory); the frequent practice in Southeast Asia of forcing your peasants to live in your capital city, so that their behavior can be easily observed; demanding that they all plant wheat, which can be easily assessed and taxed just before harvest, and making it a crime to grow potatoes (which grow underground and can easily be concealed from the tax-man); and forcing people to take on last names, to make censuses easier and to better distinguish “William of Hole-in-the-Wall” and “William of Top-of-the-Hill” in the official records. (See e.g. here.)

Writing in 1951, Hanna Arendt imagined with horror what Soviet intelligence would be able to do if they possessed a social-network graph of their captive populace, the better to monitor dissidents and punish them, their families, and everyone they ever knew. (Of course, we today have obligingly entered ourselves into such a social-network graph, providing it with intimate data about our lives that any intelligence service would drool over—to our growing sorrow. We also carry tracking devices in our cars and on our persons! Truly, we are the most legible generation in all of history.)

On the flip side, people strive to make themselves less legible to the state, to evade its control. This is one reason why merchants, nomadic communities, and “barbarians” are typically viewed with suspicion by “official” society, since their capital is easily moved and they are hard to tax or control.

In general, however, the basic rule is more legibility = more control.

This is not just true with states. One of the enduring problems of business organization is how to make sure that one’s employees are doing what they are being paid to do. Production quotas were an early (and crude) mechanism to monitor employees; nowadays, employers often use video cameras, monitoring software on work computers, and the like. You can even see this concept on the personal level: think of the controlling husband who demands that his wife use only a credit card that he has the password for, the better to control her spending. (Or a controlling wife, or that matter.)

The theme of legibility is a rich vein of conflict for fiction. An especially important spur to conflict is when a new technology, or form of magic, or a new type of organization such as a police force or intelligence service, disrupts the status quo of legibility and makes people easier or harder to monitor. This can be something as mundane (to our eyes) as the first census in a country, in which the populace suddenly is categorized and sorted by the regime to enable better control. As an example, the Biblical figure of King David carries out a census and is said to have sinned grievously by doing so—so much so that the realm is punished with a divine death plague. The political scientist in me wonders whether this “death plague” is a coded reference to violent popular resistance to the census; in Southeast Asia, as Scott notes, the very first objective of rioting peasants often was not to lynch the local landlord (that came second), but to burn down the government’s records office.

Conversely, think of the heartburn that some governments are feeling over the growth of cryptocurrencies, which aspire to be completely untraceable and thus beyond the reach of taxation authorities.

In your fiction, the interplay between legibility and obscurity can drive compelling conflicts with the state, or with an employer, or a local mafia boss, or even within families. For states, the topic has implications for taxation, how armies are raised and led, and a host of other details. Again, a single fundamental constraint gives rise to many rich problems, all of which can be of service in your writing.

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(And don’t forget, I’m accepting submissions to a fantasy anthology, Ye Olde Magick Shoppe. Check out the announcement and start writing!)

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